Inspirata din arta draperiei, vaza Orimono aminteste de frumusetea textilelor care se incadreaza in curbe generoase. Orimono, cuvantul japonez pentru textil, este o oda adusa modului japonez de a lucra cu textile atat in imbracaminte, cat si in interior.

Rich in architectural references, the Temple coffee table, made from limestone in a sandy hue, evokes architectural facades to create a play of tactile and polished surfaces.

The podium is a way to create a gallery feel and display your favorite object or artwork at home. Inspired by the architectural details of facades, each podium features a sculpted relief on two opposite sides, creating a beautiful play of shadows that changes throughout the day, depending on the direction of light. The podium is also suitable for use as a side table or coffee table. Design: Kristian Sofus Hansen and Tommy Hyldahl.

Inspired by the art of drapery, the Orimono vase evokes the beauty of textiles that fit into generous curves. Orimono, the Japanese word for textile, is an ode to the Japanese way of working with fabrics, both in clothing and in interior design.

Inspired by the art of drapery, the Orimono Vases evoke the beauty of textiles that fit into generous curves. Orimono, the Japanese word for textile, is an ode to the Japanese way of working with fabrics, both in clothing and interior design. The Orimono Vases feature an uneven surface of curves in various layers, creating a beautiful organic design with a handcrafted touch. Design: Kristian Sofus Hansen and Tommy Hyldahl

Hako is the Japanese word for box or storage, and in the 101 Copenhaga universe, it is a collection of furniture inspired by Japanese life. Each Hako piece is handcrafted from solid ash wood with bamboo mesh, creating a semi-transparent upper surface. The wooden surfaces seamlessly blend with the metal frames, creating a modern, refined product. The characteristic conical legs and the thin metal tray are made of plated metal. Design: Kristian Sofus Hansen and Tommy Hyldahl

The elegance and simplicity of perfect round and square lines were evident in the architecture of the new formalism that flourished in the 1960s. The Formalism collection is developed in close collaboration with Indian marble suppliers in an attempt to find the most homogeneous stones with little or no contrasts, creating a uniform surface of faded earth tones that ultimately has a matte finish. Design: Kristian Sofus Hansen and Tommy Hyldahl

Rich in architectural references, the Empire Vases resemble building façades, creating a slim and vertical design. The ribbed surface offers a tactile sensation, while the shadows transform the vase throughout the day. The height of the Empire vases makes them perfect for tall floral arrangements and long branches.

  Rich in architectural references, the Empire Vases evoke the façades of buildings to create a slim, vertical design. The ribbed surface creates a tactile sensation, while the shadows shift across the vase throughout the day. The height of the Empire vases makes them ideal for tall floral arrangements and long branches.

Rich in architectural references, the Empire Vases recall the façades of buildings to create a slim, vertical design. The ribbed surface provides a tactile sensation, while the shadows shift across the vase throughout the day. The height of the Empire vases makes them perfect for tall floral arrangements and long branches.